Patricia Clarkson plays Holmes’ mother, who is dying of breast cancer.
Aoscsr acceptance speech marcia gay harden mystic river movie#
It’s quirky, and comedic shit goes down. This movie looks like it was a senior thesis film. Katie Holmes is a woman estranged from her family who invites them over for Thanksgiving dinner. And I’m shocked this got anywhere near the Oscars, for acting or otherwise. Pieces of April is one of those Sundance indies. The category might back me into it, but on its own, I think it’s well worth the nomination, but not something I’d rush to take. But still… I don’t know if it adds up to me wanting to vote for it. Though she does manage to imbue the character with a lot of subtle facial acting. She’s always around, but rarely does she have much to do in her scenes. She’s mostly there to look concerned and try to calm her husband down.īut she does a lot with a relative little amount of screen time. Plus, it’s essentially the doting wife role. The nomination was clearly the reward. They didn’t know who she was, a lot of the performance is not in English, and she doesn’t get any “big” scenes. That said, she was never going to win this. She’s there to help her co-stars, and I like that they nominated her. She works up the character over scenes, and never really overpowers any of them. It’s… the definition of a supporting performance. Shohreh Aghdashloo plays Ben Kingsley’s wife. Connelly, having no place to stay herself, begins feuding with the family, doing anything she can to get the house back. He buys the (now auctioned) house for a fraction of its worth. Meanwhile, Ben Kingsley is an Iranian immigrant working very hard to start a new life with his family, having fled his home country. Jennifer Connelly is a divorced drug addict who gets evicted from her home because she hasn’t paid taxes. And race and class and all of that other stuff too. House of Sand and Fog is a drama about property. She was a lock. Holly Hunter was the only one to make every other list, who I wager is the performance most people would pick in this category. But we’ll get to that. Otherwise, this was an easy Zellweger win all around, since she managed to make everybody’s list and won them all. I can think of at least one other time she was a presumptive nominee who ended up getting nothing. Shohreh Agdashloo came out of nowhere, huh? Never realized that. Their fifth nominee was Scarlett Johansson for Lost in Translation. The Globes had 3/5 too, nominating Maria Bello and Hope Davis for American Splendor.Īnd BFCA, in their first year of relevancy for this category, had 4/5. They’re typically off the wall for at least one of their nominees.
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They had Laura Linney instead of Harden for Mystic River, and also nominated Emma Thompson for Love Actually. (Wow, SAG really doesn’t seem to like her, huh?)īAFTA only had Zellweger and Hunter. The two they didn’t have were Shohreh Aghdashloo and Marcia Gay Harden. The fifth nominee was Maria Bello for The Cooler. SAG had 3/5, with one of the other two being Keisha Castle-Hughes who went lead in the end. Let’s get into how we got this category first: The makeup win for Renée Zellweger (for a somewhat surprising loss for Chicago the year before) and what is generally regarded as a very average, bordering on hammy performance. Shohreh Aghdashloo, House of Sand and Fog You can still read the old articles, but know that those are of a certain time, and these represent the present. Updated, more in-depth, as objective as possible, less hostile.
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This is the more mature version of the Oscar Quest. I really just want to go back and rewrite the whole thing as a more mature person, less concerned with making points about certain categories and films than with just analyzing the whole thing as objectively as I can to give people who are interested as much information as possible. Some I went back to see naturally, others I haven’t watched in five years. I didn’t go back and watch all the movies again. I didn’t do any particular work or catch-up for this. I want to see just how my opinions about things have changed over the past five years. So it feels fitting, on the five year anniversary of the site and of the Oscar Quest, to revisit it. My tastes have changed, matured (or gotten more immature, in some cases). That was essentially the first thing I did on here. I finished about fifteen months later, and wrote it up for this site.
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The Oscar Quest: Reconsidered (Best Supporting Actress, 2003-2004)